
I am discarding the sap wood in these, partially because I don't want the contrast in the final unpainted chairs, but also because the slight discoloration on the bottoms is enough of a sign that some strength has been lost. Winter around my splitting brake is a double edge sword, I hate clearing the snow (why don't I just cover it?) but I love that it's frozen to the earth!

I really enjoyed pulling the shavings along the large radial plane. I didn't even notice how wide they were until I look down around my feet.

The broad flat medullary rays are a great sign that I managed to shave along the fibers and didn't twist the board. If you twist the board, the rays squiggle diagonally across the surface and while it might not put the bend at risk, it means that end grain has been exposed and might lift during bending. While this white oak is very agreeable to bending, shaving along the fibers is just as easy as not, so that's where my effort goes.

When the final shaping on the crest is done, it will break up the regularity of the pattern, which I find pleasing. This crest bent without complaint.
2 comments:
Just looking at that piece I can smell the oak -- and looking at the snow I remember why at age 18 I put Syracuse in my rear view mirror and never looked back :)
Christopher,
being able to keep green wood outside in "stasis" for half the year makes it all worth it! Plus I've been inoculated against winter by living in Chicago, this ain't nuthin'
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