Once you are
well on your way to establishing your motivations and interest, what about your
clients? Understanding their desires and spending habits is just as important
and potentially elusive. The purchasing public fickle and they have a lot of
competition for their dollars. Establishing the value of your work relative to
their money can take some mental exercise and time to develop.
Who are these
people that you hope will consistently purchase your woodwork at a price that
will support your business (and hopefully family)? Again, I think that the best
place to start is with yourself. When did you last spend money on a product
similar to the ones that you hope to produce and at the cost you hope to
charge? Usually the answer for the budding woodworker is
"never".
It's important
to remember that folks operate with much of the sensibilities that guide your
own purchasing habits. Try putting yourself in their shoes. I'd advise looking
into the buying habits and interest of your peers, friends, parents and
neighbors. What would your plumber realistically pay for that? He probably has
more money than you think, but how do you connect him to the value of the work?
I recall a relative saying "Who would spend $1000 on a wooden chair?"
and while it was crass to state, it was the right question.
It's easy to
imagine a wealthy clientele for whom the costs of your product won't be noticed
while it's value is obvious. But aiming squarely at a "wealthy"
clientele has some inherent risk. Only a small portion of society has such deep
pockets and the competition for their dollars is high. As the maker, it’s all
too easy to equate your assessment of the value of the time, skill and
materials in a piece and imagine that you can think like a “rich” person “ who
will have no problem dropping their cash in response. This is not a business
plan that I would bet on personally.
To state it
plainly, what you make is not valuable until you establish it as such in the
mind of your clients.
I’ve sold
chairs to library clerks and traded them, at full price for firewood. What is
it that connects those folks to the work enough for them to surrender their
hard won cash?
As an example,
here is an approach that I've taken with my chairs. It's sort of a one act play
that I've done a thousand times.
Know it or
not, we all have a deep connection to chairs. My goal is to expose folks to the
choices that I’ve made in materials, construction, design and tooling and the
ways that this affects the result.
Usually,
interested people see the chairs from across the room and notice the overall
impact of the design. The gesture of the chair, the lightness, something different
from the norm. As they approach the chair, they begin to notice the
shapeliness, the subtle tool marks and the thinness of the parts. Then they
touch it, contacting the smooth surfaces and the tooling, noting that not every
surface has been treated the same. Upon sitting they smile, never having sat in
a wooden chair that flexes and feels comfortable. While they sit I can take a
moment to demonstrate the role of hand tools and split wood in the production
of the chair, not as a romantic gesture but as a means of gaining strength,
comfort and durability.
When they
stand, I ask them to pick the chair up. It never fails that they laugh as the
chair is much is so much lighter than expected. Then I demonstrate the
flexibility of the spindles, which usually elicits an audible gasp, and my job
is complete. I’ve replaced their previously held assumptions about wooden
chairs and as such built a connection. This may not result in a sale, but their
engagement is gratifying for both of us and assures me that I am on the right
track. Of course this depends on some deliberate choices in the type of product
that is made and the quality of the results, which I'll look at in the next
post.
Testing your
market and educating your community is essential to guiding your production. I
spent many weekends at local Farm market craft shows building my awareness of
the buying public and my reputation amongst them. After a few years, folks felt
like they knew me and had watched my skills grow while they coveted the work,
that's when the sales became more consistent and I started to gain a footing.
Small time craft shows may not be where you envision your high end products
selling, but I've sold lots of chairs there and more importantly, gained a
sensitivity to how the public assigns value.
9 comments:
Is the local Farm market the ideal place to market high quality hand-crafted furniture? Where else might one find success in marketing the product?
I'm not a professional woodworker, but I sometimes sell my work at craft shows, and I know exactly what you mean about getting the potential customer into physical contact with the work. My work is not terribly expensive, but I estimate that somebody who handles my work is about 50% more likely to purchase it. The longer they hold it, the more likely they are to take it home and leave me with some cash.
~Steve S.
Local farm markets and art festivals aren't the only place to sell work, but I personally found them a good way to meet the public and assess how my efforts look to them. Over the years I sold lots of chairs at such affairs. On my best day I sold 25 chairs! And this was two booths down from the budweiser can whirlygig guy (he sold lots too). I liked these events because they were direct and cheap and while they didn't hit the designer market, the types of folks who attended turned out to be exactly the kind of folks I needed to meet. There is an entire industry around higher end craft shows that draw thousands, but I never wanted to travel or pay to participate. Placing furniture in galleries and showrooms is another option, but by the time you pay the commissions, the pricing may become to low for your needs or to high for the buyers. Plus, without your presence in a showroom, furniture tends to sit quietly and viewers don't get the education that I've found vital to connecting to the work.
Steve,
that's exactly right, it's fascinating to watch the process as people connect with the work, thanks for the comment
Thank you so much for taking the time to write this Pete.
I know this will help lots of people, not just chair makers.
The other tactic that I have found works to make a connection with someone when they ask the price of a piece is to quote first the time it took, and then the price. For example, "How much is that cabinet?" "Well apart from the material cost, that took 6 days to make, so it's x dollars". In that way they usually see the time as a measure of currency and equate it with how much THEY feel is reasonable to earn for that amount of time, rather than seeing you as some 'artsy' person who has no understanding of the real world.
Thanks for the blog Pete, look forward to meeting you when you come to Australia later in the year!
pete
So true Pete, you're dealing with a "thin line" of the population that will buy things at any cost. OVERHEAD is always a factor, at least at the beginning, low overhead equals more freedom to learn, experiment, and find your "niche". I've seen many a woodworker brought to his knees by either a woodwen boat or high overhead.
$1000 is not at all unreasonable for a nicely designed and handmade chair.
Pete, excellent post. Your points on value as seen by the creator and by the customer are excellent and took me a few years figure out with the cabinetry business. As I'm looking for my new wood venture, this post has me asking friends and family questions about buying habits, etc.
Thank you.
Stephan
Post a Comment