More Legs

Here is Chris Durbin working on the seat for the settee that he is making this week. Chris has come a long ways as a craftsman since I met him a few years ago, it's a joy to see his progress.



One of the elements of a settee that is missing from chairs(or at least less noticable) is the alignment of the three legs in the front and back. It's important that the legs are all raked to the same degree. Another important aspect of the legs is that the various elements line up between the side legs and the center one. Because the center leg has no splay (meaning it doesn't tilt to the side when viewed from the front), it is a slightly compressed version of its neighbors. To achieve the correct proportions for the turning, I draw a leg at the splay angle of the outer legs and then draw horizontal lines from each element to a leg without splay to arrive at the template for the center leg. You can see the drawing below.



Although the compression is minor, you can see the results in the photo below. When all of the legs are reamed into the seat, the elements of all three turnings align. Subtle, but it's there.

For those of you keeping up on the farm developments, we have 8 new chicks. These are "meat" birds and will be with us for about 2 months. I'm dedicated to giving these little guys the highest quality of life possible, so they moved into the insulated coop while my layers got new housing.



Here are the summer digs for my layers. A bit more open and airy. As you can see, they are confined to the area defined by the electric netting, our perennial gardens could not longer take the abuse! In winter they'll get their other coop back, but as of tonight, they were all happily perched inside their new home, ready for bed.



Another example of crappy construction that fits the bill, and all with materials that I had laying around! (forgive the pun)

Movement and the Skew

I'm very pleased to say that Fine Woodworking Magazine has a review of the Galbert Caliper in the May/ June issue. Check it out!

Here is a short video about more steps that can be taken to make your skew work better. As I've said before, there is much to know before starting cutting to avoid that moment where the skew seems like it just won't work for you. Patience and prep are all that's needed.

Good and Better

Here is Wayne Grove making spindles last week. Wayne was in my class at Peters Valley last year and made good on the promise to come up and make a chair with me. He has already made a slew of chairs in his time, so we spent a lot of the week discussing the finer points and trying to raise the bar in quality, technique and focus.


I've heard it said that "better is the enemy of good", and if I understand the quote, I am not much of an adherent to it. To me, a huge part of my interest lies in looking deeper beyond the skills that I already possess, even if it means the occasional (or often) ruined workpiece. I find trying irresistible and the consequence of failure tolerable. This is definitely evident in my turning. I can't tell you how many times I've gone back for "one more clean up pass with the skew" and blown off an entire detail!

But thanks to those efforts, I've gotten to control my skew.
Below on the left is one of the legs that I turned at the NWA showcase out of soft maple next to one that I did in the shop in hard maple.


Of course, standing in front of a crowd full of observers and questions while trying to explain my caliper is bound to lead to a drop in focus and quality. When I got back to the shop and set out to turn more legs, with a slightly more robust pattern, the time and quiet let me shoot for "better".


Hopefully you can see the sharper edges and more delicate shaping in the leg on the right.
Perhaps viewed under the paint and from across the room there wouldn't seem to be much of a difference, but by making the details more refined and challenging there was a huge pay off,
I had fun.

Here's Wayne gluing up his undercarraige. We used my new marking method and it worked out great.


Today is one of those days. All errands, paperwork and computer work (why should I be any different, right?!" I started by getting photos taken of the chair that's heading to Maine for the faculty exhibit at the Center for Furniture Craftsmanship. The chair is cherry (remember me cutting it down last fall), white oak and butternut, with walnut wedges.



Here's a detail of the arm joint. For a diseased tree, it sure had some lovely wood.


I am close to loading up the next video on skew technique. We are getting closer to actually cutting wood, but not quite!